autres regardes

Kameido Bridge (#3)
Yoshida
—Ukiyoe Gallery

# 22:38

Child With A Dove
Picasso
National Gallery UK

# 21:18

Oumou Sangare

BE: So this is not new.

OS: No, no, no. It's always been like that. This has always been the way that women could speak in public, the only way she can.

BE: And men respect that.

OS: Very much. They listen very attentively. Very, very much. Women educate that way. In singing, women educated other mothers, even children, the entourage, everyone with her singing. She can even council, even old people. I've said that a woman has no words, but a singer does. "Give us a few words. We have that also in our hearts. We want you to show us."

At the ceremonies, you know, in Africa: Everyone is present. So a single woman speaks in the place of all women. You see. So if in the singing there is even one woman in the "milieu," another one has another idea, and she comes. That adds something to her. She asks, "Can I sing?" She says, "Yes, go ahead." So when you stop, someone else takes it up. In Wassoulou, it's like that. You can see two or three women in the middle singing.
—FemmeNoir Online/Afropop Worldwide

link impetus bhikku

# 15:37

Tiepolo Honey mostly defunct, transferred intent and what was at one time an optimistic idea to dirty beloved -
*Kameido Bridge* (#3) Yoshida —Ukiyoe Gallery # 22:38 *Child With A Dove* Picasso National Gallery UK # 21:18 Oumou Sangare BE: So this is not new. OS: No, no, no. It's always been like that. This has always been the way that women could speak in public, the only way she can. BE: And men respect that. OS: Very much. They listen very attentively. Very, very much. Women educate that way. In singing, women educated other mothers, even children, the entourage, everyone with her singing. She can even council, even old people. I've said that a woman has no words, but a singer does. "Give us a few words. We have that also in our hearts. We want you to show us." At the ceremonies, you know, in Africa: Everyone is present. So a single woman speaks in the place of all women. You see. So if in the singing there is even one woman in the "milieu," another one has another idea, and she comes. That adds something to her. She asks, "Can I sing?" She says, "Yes, go ahead." So when you stop, someone else takes it up. In Wassoulou, it's like that. You can see two or three women in the middle singing. —FemmeNoir Online/Afropop Worldwide link impetus bhikku # 15:37	artcyclopedia Internet Archive Image Base loc pnp EmbARK masters of photography dublog gmtPlus9 plep fiendishistheword pretty serendipities Giornale Nuovo under the fire star conscientious esthet Parking Lot bellona times UFO Breakfast Recipients :::wood s lot::: Caterina Poetry Daily Verse Daily Sprezzatura generationrice archipelago vertechnic InterTran alt. diacriticals rhetoricals quickcolor old bookmarks in no order some broken: literary bookmarks artmarks1 artmarks2 Books Page	archives(dirty beloved) to August 31 '03 archives Ω Email

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